This course focuses on the historically accumulative aspects of design elements, which constitute the significant aspects of Culture in general, and Design Culture in specific sampling units. The prevalence of design as a ritualistic element of cultural activities and its critical analysis is grounded on the most prevalent comparative evaluations of art and design theories and their inferences. Central questions include: what kind of relationships exist between design-based activities and art practices?,Which reciprocal activities generate the outcomes between design and technology?, How do these relationships affect the cultural-map of specific habitations and social locations?, How can one read cultural identities through decoding the design elements of the product-lines?, Which design elements of the product embodied historical evolution of the cultural exchanges?